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Showing posts with the label Minos

Amphora Asterion, A Trio of Printmakers

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My monotype print “Amphora Asterion”, exhibits in "A Trio of Printmakers", ( Lynn Brofsky, Brian Fisher & Steve MacFarlane).  Feb 7- March 1, 2020 at Roby King Gallery on Bainbridge Island. The opening reception is  Feb. 7, 6-8 pm. Amphora Asterion is a   Monotype Print,  29 1/4 x 21 1/2  in. depicting Asterion, the Minotaur of Cretan Myth. And the Queen gave birth to a child who was called Asterion. —Apollodorus   A mingled form where two strange shapes combined, And different natures, bull and man, were joined. —Euripides  

Asterion, The Starry One

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My cut steel sculpture "Asterion, The Starry One" exhibits Feb 7- March 1, 2020 at Roby King Gallery on Bainbridge Island in "A Trio of Print-makers".  Opening reception is  Feb. 7 6-8 pm.   Crete’s mythic civilization began when Zeus (as bull) abducted Europa from a Phoenician beach and swam into the setting sun until arriving on the Aegean island of Crete.  To their union three children were born, Minos, Rhadamanthys and Sarpedon.  Europa became queen of Crete upon marrying Crete's reigning King Asterion and he stepfather to her children.  Upon his death the children warred as successors and when Minos defeated his brothers to become King he prayed that Poseidon, God of the Seas, send him a bull to sacrifice in recognition that his Kingship was divinely sanctioned.  Poseidon’s gift, a beautiful pure white bull, The Cretan Bull, The Bull From The Sea, appeared as petitioned but Minos instead elected to substitute another bull and kept the beautif

The Minotaur, Roby King Gallery, January Exhibit

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My Monotype "The Minotaur" will exhibit in Roby King Gallery on Bainbridge Island, January Jan 3 - Feb 2 with work from two other Vashon Island Artists, Susan Lowery and Pam Ingalls. Check us out! Crete’s mythic history begins with the abduction by Zeus (as bull) of Europa, a princess of Phoenicia and a long swim to the shores of Greece's largest island.  With their union, Europa became the first queen of the island kingdom of Crete, powerhouse of the Aegean and subsequently the namesake of Europe.   When Minos, a descendant of Zeus and Europa, defeated his brothers to become King he prayed that Poseidon, God of the Aegean Sea who's waters surrounded Crete, send him a gift/sacrifice in recognition that his Kingship was divinely sanctioned, his prayers were answered (kind of). Poseidon’s gift, a beautiful pure white bull, The Bull From The Sea, appeared as petitioned but Minos decided instead of sacrificing the bull to substitute another as tribute and kept

Inspired by...

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Roby King Galleries on Bainbridge Island asked their artists, "What or who inspires you to be an artist?"  My reply, "Story and Myth, all that stuff we come back to when looking for answers, and the master of Myth, Joseph Campbell".  Those are my inspirations.  I also would say Michael Meade and his insights keep my top spinning! I am inspired by these words by Campbell and have them on the wall in my studio:  "We have not even to risk the adventure alone; for the heroes of all time have gone before us, the labyrinth is fully known; we have only to follow the thread of the hero-path and where we had thought to find an abomination, we shall find a god; 
where we had thought to slay another, we shall slay ourselves; 
where we had thought to travel outward, we shall come to the center of our own existence; 
where we had thought to be alone, we shall be with all the world.” ― Joseph Campbell.   Posted above is my Monop

Daedalus and Icarus

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Daedalus and Icarus , Mono Print, 22 x 29.5 in. $900.  Ovid, Metamorphoses, VIII, translated by Frank Justus Miller ...Daedalus, hating Crete and his long exile, and longing to see his native land, was shut in by the sea. "Though he may block escape by land and water," he said, "yet the sky is open, and by that way I will go. Though Minos rules over all, he does not rule the air." So saying, he sets his mind at work upon unknown arts, and changes the laws of nature. For he lays feathers in order, beginning at the smallest, short next to long, so you would think they had grown on a slope. Just so the old-fashioned rustic pan-pipes with their unequal reeds rise one above another. Then he fastened the feathers together with twine and wax at the middle and bottom; and, thus arranged, he bent them with a gentle curve, so that they looked like real birds' wings. His son, Icarus, was standing by and, little knowing that he was handling his own peril, with gleef

The Bull from the Sea

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Today I am posting an image of and detail from The Bull from the Sea. It’s a Monotype I have just completed and will be displaying when I open my studio for Vashon Island’s Holiday Studio Tour, the first two weekends in December. Lately I have been reading about bulls and the richly various rolls they have played in human history. If you are familiar with the myth of the Minotaur you may remember to what the tittle refers. Archaeological discoveries of ceremonial objects and art from numerous Paleolithic, Neolithic, and particularly in Minoan and Mycenaean sites attest a long symbolic life giving connection of the bull, to seasonal waters, vegetative regeneration and the incarnate generative force of the Goddess. Dorothy Cameron in her book “Symbols of Birth and Death in the Neolithic Period” offers diagrammatic comparison that the likeness of the head and horns of the bull in Neolithic art may also be a symbolic depiction of the female reproductive organs. Cretan culture is ric