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Showing posts with the label Wallace Stevens

Quartermaster Press 25, Collectors Wall

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Print artist Beth Dunn has been an intermittent and influential Quartermaster Press member since she first began printing at QMP in the late 1990’s.  When she gave her photo exposure machine to the Vashon Island print collective, she forever changed the equation of print variation at QMP. Below is Beth’s photo engraving “I Was of Three Minds Like the Blackbird” inspired by Wallace Stevens’s Thirteen Ways of Looking at a Blackbird . It will be one of many prints by QMP members exhibited on the “Collectors Wall” in the Lobby at Vashon Center for the Arts during the QMP 25 Retrospective Exhibit, April 6 through May 25, 2018. Photo Etching, Chine -collĂ© by Beth Dunn from the collection of Brian Fisher Here is another from the ”Collectors Wall”, a collage created by Quartermaster Press artists in 2003.  It also contains a Stevens inspired compositional element by Beth Dunn. Monotype, Linocut, Photo Etching, Collage by QMP Artists from the c

Odysseus, Where Art Thou?

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Odysseus, Where Art Thou?  13 x 8.5 in. I will have new work at The Heron’s Nest on Vashon in October; Monoprints who’s themes celebrate Homer’s famous lovers.  Yes, Helen and Paris will be there of course but also Penelope and Odysseus. In this work I have continued to experiment printing with dry pigment.  As the imagery evolved I kept thinking of Wallace Stevens’s poignant poem about Penelope imagining, preparing for, the return of Odysseus (Ulysses) and want to include it here. The World As Meditation Is it Ulysses that approaches from the east,
 The interminable adventurer? The trees are mended.
 That winter is washed away. Someone is moving On the horizon and lifting himself up above it. A form of fire approaches the cretonnes of Penelope,
 Whose mere savage presence awakens the world in which she dwells. She has composed, so long, a self with which to welcome him,
 Companion to his self for her, which she imagined,
 Two in a deep-founded s