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Showing posts with the label Argo

The Deeds of Jason

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The Deeds of Jason   Rust Print  (9 1/4 x 27 3/4 in.) In many a song my past deeds have been sung, And these my hands that guided Argo through The blue Symplegades, still deeds may do. For now the world has swerved from truth and right, Cumbered with monsters, empty of delight, And “midst all this what honor I may win, That she may know of and rejoice therein, And come to seek me, and upon my throne May find me sitting, worshipped, and alone. From "The Life and Death of Jason" by William Morris My Rust Print The Deeds of Jason was made by rusting cut steel plates to muslin. 

Argo

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My Monotype Argo depicts the engineer Argo presenting a plan of the ship that he will construct and will eventually carry Jason and his crew of heroes on their quest for the Golden Fleece. Jason’s patron Goddess Hera, here represented by her totem or symbol, the Peacock, helped Argo select the timbers from the trees of Mount Palion to build the boat.  She also supplied a limb for its keel taken from the sacred oak of the oracle at Dodona.  The talking keel would aid the heroes in their journey with its gift of prophecy.  When the ship was complete it was named for the builder Argo and thenceforth the heroes that sailed upon it would be known as Argonauts. Argo is a Monotype with metal leaf mounted to panel. (16 x 16 x 2 in.) It will be exhibited in my studio, stop number 11, during the Vashon Island Holiday Studio Tour .

Pyrrhic Dance

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While reading “The Argonauticka,” by Apollonios Rhodios, and following hero Jason and the crew of the Argo through the islands and ports of call visited by his ship Argo, I came upon several references to the gods worshiped at Samothrace and Lemnos in the Korybantes, Kabeiroi or Cabeiri Rites that were celebrated in ritual dance.  Dance, according to the Greek ideal, was one of the civilizing activities, like wine-making or music. These dances perhaps originated as Cretan, and as Dionysus/Zeus oriented purification, or coming of age, initiation rituals.  Eventually “Pyrrhicaial” male dance, became a formal competition in the Hellenic world.  Armed with swords and shields, group participants were accompanied by drum and rhythmic stamping of feet and performed in celebration as worship, for acclaim and monetary reward. Above, rust prints mounted to wood panel, Pyrrhic Dance, (8 X 10 x 1.5 in.) and below, Persian Dance, (8 x 10 x 1.5 in.), wil