Brian Fisher Print, Paint and Sculpture Blog

QMP, Quartermaster Press, was founded in 1993 when artist Valerie Willson moved to Vashon Island Washington with a very large etching bed press. Valerie had commissioned Ray Trayle to build the press two years before.   Before his retirement, Ray worked for Archer Blower and Pipe for 32 years. However, he will forever be  remembered for the design and fabrication of 63 fine art etching presses that he built for the Northwest print community.  Because of this, in 1997, he was awarded the Oregon Governors Art Award and in 2002  became the inspiration for the Ray Trayle Print Prize . In this photo, courtesy of Jil Stenn, Ray Trayle is shown assembling the press he had made for Valerie Willson in Quartermaster Press's first cooperative studio.

Jil Stenn is passionate about landscape design and has built sustainable healthy gardens throughout the Puget Sound for the last 30 years.  She is also a founding member of Quartermaster Press.   In 1993, 25 years ago, Jil Stenn and Valerie Wilson, each new to Vashon Island life, crossed paths and discovered a shared artistic love for print making.  From this meeting the seeds of Vashon Islands's QMP print cooperative were sown. Jil printed at the QMP studio until 1995 and only left when her first child was born.  She actually gave birth just after attending Quartermaster Press's very first opening exhibition at The Blue Heron Gallery, what today is named Vashon Center for the Arts and Koch Gallery . Thank you Jill for sharing your love of print and this monotype, "Where's Waldo" for the QMP  25 Exhibition at the Vashon Center for the Arts, Lobby and Koch Gallery, April 6 - May 25, 2018. Where's Waldo , Monotype by Jil Stenn

Joan Wortis began printing at Quartermaster Press soon after she arrived on Vashon Island.  Her career and background before she came to print was in fiber arts.   She says that her experince at QMP has been the cornerstone of her working method of experimenting with combining monotype and collage and she has continued to do that through many different iterations for the last 20 plus years. Joan's wonderfully textural monotype collage "Whispered Secrets" 15 x 12 in. is one of the works showing at the Quartermaster Press 25 Retrospective Exhibition in the Koch Gallery at Vashon Center for the Arts April 6 - May 25, 2018. "Whispered Secrets" monotype collage by Joan Wortis

Quartermaster Press, the Vashon Island Print cooperative, celebrates its 25th anniversary with an exhibit of current and past work by members. Expect many talks and print demonstrations throughout the two months the show is hanging, April 6 - May 25.  Location and dates for events can be found at Vashon Center for the Arts Koch Gallery .  The opening is April 6, and first talk by Valerie Willson will be at 5:30 during Vashon's First Friday Art Walk.  Please join the celebration!   QMP current members 2018 gathered round the press from left to right are: Sue Hardy, Brian Fisher, Jayne Quig, Valerie Willson, Christina Nichols,  Patricia Churchill, Deborah Taylor, Suzanne Moore, Lisa Guy, Debi Shandling Crawford, and Katherine Tonnessen Quartermaster Press 2018

Marian Wachter will display several images in the Quartermaster Press 25 Retrospective Exhibition at Vashon Center for the Arts, April 6 - May 25, 2018.  Featured here is “Garden Symphony” a mixed media relief and intaglio print. 17 3/4 x 23 1/2 in. Marian’s work is beautiful, graphic and innovative. If you are a print artist looking at her work you will constantly be asking “What the, How the” questions?  Watching her hand print from carved leather-hard clay plates, for example, opened my eyes to yet another realm of printing possibilities.  She experimented with collagraph, printed in relief and intaglio, relief printing using wood, linoleum and un-fired clay. All her prints were layered with these and other techniques and frequently finished with collaged elements, photo transfer or drawing/painting directly on the prints.  Garden Symphony, mixed media relief and intaglio print by Marian Wachter  

Jenn Reidel's photo etching "She placed her ghosts in the bath in an effort to clean up her past." will be on display during the Quartermaster Press 25 Retrospective Exhibition at Vashon Center for the Arts , April 6 - May 25, 2018.   Jenn is a conceptual artist whose narrative work combines her favorite mediums of photography, performance, printmaking and writing.   She joined Quartermaster Press in 2004 and created two series, which were exhibited at Gallery 070, "Ghosts in Love" (2004) and "A Fury Tale" (2006).  She printed the images first as fine art black and white photos in a traditional darkroom and then used a photo-etching process to mimic 19th century photogravures. She transferred the photographic image onto a copperplate and printed them by hand at Quartermaster Press. "She placed her ghosts in the bath in an effort to clean up her past." Photo Etching by Jenn Reidel  

This wonderful viscosity monotype, "Sunday is Wash Day" by Laura Davidheiser will be on display during the Quartermaster Press 25 Retrospective Exhibition at Vashon Center for the Arts, April 6 - May 25, 2018.   Laura was an accomplished artist. Her prints, containing a common theme of flight, were selected to show in numerous international, regional and juried exhibitions throughout the United States in her lifetime. Laura was a master of viscosity monotype.  She used stiff dry ink (high viscosity) and oily loose ink (low viscosity) to resist and blend with each other.  If I remember correctly she typically painted with low viscosity {the bright and various colors in the print below) onto her Plexiglas plate and then rolled the high viscosity ( dark red) ink on top of one another. This beautiful monotype print took planning, hours of painting and like every print process...thinking backwards! Thank you Don and Betty Olson for sharing this print with the QMP 25 show

Ilse Reimnitz introduced me to monotype printmaking and Quartermaster Press 20 years ago.  She is a great friend and mentor.  I always enjoy talking with her and every time we teach a workshop together I learn something new from Ilse.   Ilse Reimnitz has an innate sense for asymmetrical composition.  She is a master of watercolor and monotype.  Her success in both mediums relies on her ability to subtly layer texture and imagery.  What often first appears to be a simple though elegant composition upon a closer look is revealed to be complex, mysterious, and texturally rich.  The QMP 25 Retrospective Exhibit, April 6 - May 25 at Vashon Center for the Arts will include Ilse's monotype "Current" 29 x 21 in. "Current" Monotype by Ilse Reimnitz

These photographs were taken of Quartermaster Press studio in about 2001, courtesy of Marian Wachter.  QMP studio was originally located on Quartermaster Drive and on the property of Michael Richards and Rita Brogen in what was formerly a potting shed.   Valerie Willon's press made by Ray Trayle, is at center of the interior photo. Check out the scale of the wheel!   Pinned to the wall are prints Marian Wachter was working on.  It was a sweet place even if a bit drafty! Below are members Bonnie Wilkins, Adrienne Edmonson, Suzanna Leigh, Brian Fisher, Ilse Reimnitz, Laura Davidheiser and Marian Wachter in publicity photo for QMP. QMP Publicity Photo 2001 QMP Interior 2001

Bonnie Wilkins's approach to monotype print is unique and inspirational.  Her work has a timeless quality that embodies a joyful calmness and meditative stillness.  Bonnie says about her work- "The appeal of making monotypes is, for me, the joy of being surprised and delighted by the intricate complexity and beauty that shows up as a result of layered process."  "The collage aspect of the work gave me the opportunity to indulge my love for the “treasure hunt.”  I was always seeking the exquisite fallen leaf, or the beautiful accident on a piece of my disassembled monotypes."  Below is Bonnie's pieced monotype, "Pastorale", 30 x 31 in. "Pastorale"  monotype by Bonnie Wilkins

I am delighted that Corvidae Press has featured my Monotype Print "The Calydonian Boar" as their image on the call for submissions to Printmaker's Hand IV, their 2018 Exhibition! It is always a geat show at the Northwind Art Center in Port Townsend. Last year The Printmakers Hand exhibit coincided with Port Townsend's open studio. That made it all the more fun to visit!  Corvidae Press was on the tour and their studio at For Warden was the highlight for me of the tour. OK~ Quartermaster Press Printers, you only have a few more days to submit!

Max Beckmann wrote "Art is creative for the sake of realization, not for amusement: for transfiguration, not for the sake of play. It is the quest of our self that drives us along the eternal and never-ending journey we must all make."  Valerie Willson's quest brought her and a very large etching bed press to Vashon Island in 1993 where she founded Quartermaster Press and has shared her excitement for print process ever since.  Her journey has also led her to explore other media as well, including: pastel, paint, en caustic and most recently photography.  ValerieWillson.com For the Quartermaster Press 25 year retrospective exhibit at Vashon Center for the Arts Koch Gallery,  April 6 - May 25, Valerie Willson has chosen to display etchings created in the period that the press itself was made and when she was exploring everything that multiple copper plate etching might yield.  This is Nasturtiums a three copperplate etching with Intaglio and aquatint, 19 3/4 x 14 3/4